beyonce instagram |
- Beyoncé Skipped the Golden Globes Red Carpet and Shared Her Own Outfit Photos - ELLE.com
- Adidas, Beyonce collection Ivy Park promos posted to Instagram: Take a look - Fox Business
- Golden Globes 2020: What Beyoncé, Gwyneth Paltrow and More Stars Ate Before, During and After the Show - Us Weekly
- Christmas in Instaland – the best seasonal celebrity snaps - The Guardian
- How Instagram is changing the design of clubs and festivals - Mixmag
| Beyoncé Skipped the Golden Globes Red Carpet and Shared Her Own Outfit Photos - ELLE.com Posted: 06 Jan 2020 07:07 AM PST  Beyoncé and Jay-Z arrived late to the Golden Globes, after the ceremony had started and the red carpet had closed. But don't think for a second that Beyoncé, queen of the #outfitoftheday shot, did not have ample, excellent photos of herself in her gold and black dress taken that night. The singer posted them on her Instagram this morning. She did one better than a step and repeat: She had a sunset shot and the perfect mirror selfie to which the rest of us amateurs can only aspire. Her outfit also had secret sheer black gloves that Bey did not wear during the broadcast. She looks great; Jay-Z did too; and really, who needs to do a crowded red carpet when you're Beyoncé, have your own top-tier photographer, and 137 million people following you on Instagram? Of course, Beyoncé's biggest headline-making moment during the Globes was her decision to not stand up and applaud when Joaquin Phoenix was announced the winner of Best Performance by an Actor in a Motion Picture - Drama for his work as the Joker in Joker. Phoenix winning was a surprise choice given the divisiveness of the film and role, which gave a sympathetic, gritty portrayal of a killer comic book villain that didn't sit well with many...including Beyoncé, it seems. The camera caught her seated while most of the audience was giving him a standing ovation. Viewers, like Twitter's Sam Stryker, took notice and posted about it on social media, and media outlets picked up the story. Bey has said nothing more about the moment nor does she need to. Her message was clear.  |
| Adidas, Beyonce collection Ivy Park promos posted to Instagram: Take a look - Fox Business Posted: 09 Dec 2019 12:00 AM PST  State Bags co-founder Scot Tatelman discusses his New York-based bag company and their donation of revenue to those in need. The 38-year-old "Queen Bey" is stirring up excitement on social media after giving followers a sneak peek at her collaboration with Adidas, which is set to launch in January. Continue Reading Below On Monday, Beyoncé Knowles-Carter uploaded scores of promotional posts on Instagram for her relaunch of Ivy Park, but the star was careful not to reveal too much. The images, which can be seen by her 135 million followers, show a few pieces of Ivy Park-inspired jewelry. It was not immediately clear whether the pieces will be included in the Jan. 18. launch. Each post was simply captioned: "IVY PARK January 18." BEYONCÉ PARTNERS WITH ADIDAS, WILL RE-LAUNCH IVY PARK LINE Other images were closeups of the star's fingernails, which were painted with the same colors as the collection with the three-strip pattern synonymous with the Adidas brand. One close-up image revealed a gold "Ivy Park" lower grill. In April, the "Lemonade" star announced her creative partnership with the sportswear manufacturer where she would develop footwear and apparel for the brand as well as re-launch her activewear clothing line, Ivy Park, with Adidas. BEYONCE SURPRISES GUESTS AT TYLER PERRY GALA CELEBRATING NEW $250M MOVIE STUDIO The singer originally launched the athleisure clothing brand in partnership with Topshop in 2016. Two years later, the 38-year-old cut ties with Sir Philip Green, chairman of Arcadia Group, a retail company that includes Topshop. Beyonce's company Parkwood Entertainment released a statement to Daily Mail that it is now the sole owner of Ivy Park.
The collection offers both apparel and footwear and is designed around the color scheme of maroon, cream and "solar orange," according to Elle. It will include short-sleeve hoodies, long-sleeve soccer jerseys and cargo sweatpants, the outlet reported. "I focused on designing a unisex collection of footwear and apparel because I saw so many men in Ivy Park," said Beyoncé in an interview with Elle. "The way they have embraced the brand is an unexpected gift. I appreciate the beauty of gender-neutral clothing and breaking the so-called fashion rules. I took a chance on myself when I bought my company back. We all have the confidence in us to take chances and bet on ourselves." The new collaboration will focus on "empowering and enabling the next generation of athletes, creators, and leaders."
GET FOX BUSINESS ON THE GO BY CLICKING HERE The sneak peek of the brand comes just after the singer revealed rumors circulating about her doing a Las Vegas residency were false. A representative confirmed to Variety that Beyonce would not be hitting the strip. Rumors sparked after the website LoveBScott posted an exclusive story citing sources that she would be announcing the residency within the first six months of the new year.  |
| Posted: 06 Jan 2020 10:16 AM PST  Celebs gotta eat! Stars flocked to the 2020 Golden Globes in Los Angeles on Sunday, January 5, to celebrate the best of the best in TV and movies, and there was no shortage of tasty food on hand. Some stars, such as Gwyneth Paltrow, opted for some pre-awards show fuel. The Politician star, 47, took to her Instagram Stories a few hours before the ceremony on Sunday and shared a snapshot of her husband, Brad Falchuk, enjoying a meal before all of the chaos. "A walk to lunch with hubs @bradfalchuk," Paltrow captioned the photo, which featured 48-year-old Falchuk sitting at a table with a drink in front of him. Paltrow included #kreationkafe in her post, indicating she and her husband enjoyed lunch at the healthy chain, which specializes in cold-pressed juices and nutritious meals and snacks. Upon returning home, however, the actress was greeted by an entirely different type of food — baked goods! "My gorgeous stepson made a cookie buffet to tempt me but maybe I should wait … " she wrote over video footage of several homemade pastries. The spread included cookies stuffed with brownie pieces, chocolate chip cookies and brownies. During the show, which was held at The Beverly Hilton, stars dined on a completely vegan feast for the first time ever. The Hollywood Foreign Press Association made the last-minute decision to serve a completely plant-based menu just days before the Globes, revealing a three-course spread that consisted of chilled golden beet soup, king oyster mushroom "scallops" — a.k.a. mushrooms meant to look like the fish — and a sweet opera dome for dessert. "If there's a way we can, not change the world, but save the planet, maybe we can get the Golden Globes to send a signal and draw attention to the issue about climate change," HFPA president Lorenzo Soria said in a statement upon debuting this year's vegan menu. "The food we eat, the way we grow the food we eat, the way we dispose of the food is one of the large contributors to the climate crisis." Though food was served at the Globes, that didn't stop surprise guests Beyoncé and Jay-Z from bringing their own champagne to the event. According to a tweet from Los Angeles Times reporter Amy Kaufman, the duo slipped into the ceremony along with a bodyguard, who was carrying two bottles of Armand de Brignac Champagne. Jay-Z, 50, purchased the bubbly, which is also known as "Ace of Spades" on account of its distinctive label, in 2014. The after parties were food-filled as well. At the HBO Golden Globes After Party, Larry David was spotted carrying a big plate of food and chatting with Succession star Nicholas Braun. The Golden Globes Netflix After Party presented by Moët and Chandon included Saoirse Ronan and Greta Gerwig chowing down on cheeseburgers, in addition to Nikki Reed helping herself to some french fries. Scroll down to see what more stars ate before, during and after the Golden Globes!  |
| Christmas in Instaland – the best seasonal celebrity snaps - The Guardian Posted: 23 Dec 2019 12:00 AM PST [unable to retrieve full-text content]Christmas in Instaland – the best seasonal celebrity snaps The Guardian  |
| How Instagram is changing the design of clubs and festivals - Mixmag Posted: 06 Jan 2020 06:32 AM PST  There's one word that sums up Elrow, or Printworks; that describes spaces like Gashouder in Amsterdam full to the brim for Awakenings, as well as the expectations of people who are clubbing less frequently, who are often basing their decisions on party brands they trust rather than a particular DJ, and are paying more for tickets, all trends that are self evident in nightlife in 2019. The word is 'epic'. People want to come and they want to be absolutely shocked," says Simeon. "Our lighting budget at Printworks on one night would do lighting for a whole year at smaller clubs. But I understand that when you've got five thousand people paying twenty or thirty pounds a ticket, they want a show." And, it goes without saying, they want to share the experience. It would be simplistic to put Instagram forward as a reason that 'ravebox' clubs, built on the traditional model of sensory deprivation rather than epic visual spectacle, have been in decline for the last decade, while – in the UK for example – epic, 'tabula rasa'-style venues like Printworks and The Warehouse Project attract huge numbers. Not when there are factors like greedy developers, rising overheads and other changing habits to take into account. But when the 'traditional' club space, all sensory deprivation and communal experience, doesn't fit the needs of much of the audience, it's almost certainly a factor. Instagram has changed the club environment both in terms of design and by amplifying broader trends, but it's in daylight that the changes its legions have wrought are most visible. Josh Flemming is Head of Design and Production at DoLab. Since 2005, when they first started putting on small festivals in the US, they've launched the likes of Lightning In A Bottle and co-run the Dirtybird Campout. Most recently, the company launched their own DoLab branded stage at longtime collaborators Coachella. While he maintains that the Instagrammability of his team's work is a natural consequence of creating something striking and enjoyable, he knows that visual impact is more of a priority than ever: "Festival promoters are realising that it's not enough any more just to set up a square stage with a bunch of TV screens on it," he says. Massed LED screens, indeed, were a key driver of the EDM festival boom in the US, bridging the gap between the dynamism of a traditional band show and the static nature of DJing (heart signs and Jesus poses aside), reflecting back the crowd's energy, magnifying the DJ into superstardom or hypnotising the masses with synced visuals. They are also, in the new Instagram reality, becoming increasingly passé, explain Wonderworks' Piers Shephard and Rebekah Hanbury. Wonderworks is among the world's leading event designers, its work on everything from the Olympics opening ceremonies to Tomorrowland to Secret Cinema and the Beyoncé and Jay-Z tour responsible for introducing countless trends, from inflatables to synchronised drones to light-up audience wristbands to heat-sealed mobile phone baggies. Shephard and Hanbury reckon that its lack of Instagrammability has killed the LED-based stage and correspondingly forced people in their line of work to massively raise their game. "There's a shift away from boring stages dressed up with LED screens – which don't require a creative team to commit to an aesthetic – and back to big scenery," says Piers. Rebekah agrees: "Compare Beyoncé's 2006 gigs [with a video wall] to her last Coachella gig, with that pyramid of people. It's a definite push-back." Wonderworks' ethos, they explain, is finding new ways to keep the crowd at the events they design 'dynamic' – ie moving and interacting – and surprised, both of which are harder to do when they have their phones out, and when anything they see can be posted and shared in a matter of seconds. And this is a challenge that all festivals are facing today. Read this next: The art of club design "Festivals are putting a lot more into interactive environments, art and different types of architecture that people can get lost in exploring," says Tamás Kádár, CEO of Sziget in Budapest. He describes Instagram, both as marketing tool and also generated by users (he estimates the hashtag #Sziget has been used on the app about half a million times) as 'an essential part of our communication'. Like Aldred, he's aware that certain areas will become selfie touchpoints – such as the huge Sziget letters that surface like the Hollywood sign from the Danube. 'We're not creating areas for Instagram, but we know the areas we create have to be Instagram-friendly," he says. While he emphasises that the "authentic festival experience" of the island festival's 50 diverse stages and themed areas is Sziget's design priority, he agrees that "in the last five to ten years the visual approach and the spectacle of Sziget have become more and more important; the past three years, it's become essential." This ties in with the festival's broader social mission – as well as working with Hungarian design groups each year, the organisers invite international submissions to their 'Art Of Freedom' competition, asking designers and artists to submit ideas for installations, arenas and environments which Sziget finances. Both Flemming and Kádár agree that the major change in festival culture that Instagram has driven in the past five years is the increasing synthesis of artwork with festival culture. "There was a time," says Josh, "when it was just music festivals; then it was 'music and art' festivals, and now it's 'art and music festivals'. One such is Thailand's Wonderfruit, a visually stunning pop-up city of a festival in Chon Buri province that aims to 'create a dialogue using art and culture' with a strong ethos of sustainability, showcasing local visual artists via a dedicated art curator, close ties to the global art world, and, like Sziget, a yearly competition to design a sustainability pavillion. Form follows function at Wonderfruit, says founder Pranitan 'Pete' Phornprapha: "We're not like, 'Oh, how can we make this a photogenic thing' – we don't think like that. But with the way we try to design, it becomes a photo opportunity, naturally." Wonderfruit, says Pete, built its name through word of mouth (it's now in its sixth year), but perhaps it's worth asking whether boutique, arts-based, visually unique festivals would be such a feature of the landscape at all in 2019 were it not for Instagram. "When the time comes with the festival," says Pete, "we see an explosion of images that go viral throughout the world." Instagram in the festival space drives the thirst for visual novelty and creativity: not just people looking for content to post, but also in order for festival marketing to stand out, to own a unique aesthetic. In turn, the boom in synthesizing visual art installations and artworks into the festival (and also increasingly the club) space is one of the clearest examples of how the app affects the rave environment.  |
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